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In his audio commentary on the DVD, Fleischer recalled that on the first day of shooting Kurosawa demanded to repaint a Shinto shrine on the battleship set multiple times because he didn't like the shade of white used. When Kurosawa began shooting in December 1967, his behavior on the set only compounded the studio's worries. The studio was also troubled by Kurosawa's decision to cast amateurs-wealthy Japanese industrialists-in leading roles. Concerned about the length, Fleischer and Williams met with Kurosawa in Honolulu and convinced him to cut a number of scenes. At first Kurosawa and his co-writer Hideo Oguni produced a script over 400 pages long, which the studio estimated at four hours of screen time. Richard Zanuck also named Richard Fleischer early on to direct the American sequences and to serve as the director for the film as a whole. The first director hired on for the project was actually Akira Kurosawa, whose agreement to film the Japanese sequences was instrumental in securing the necessary financial backing. News of Genda's presence resulted in protests by the Survivors of Pearl Harbor Association and chapters of Veterans of Foreign Wars. (Only in 1981 did a longer edition of the book appear in English, under the title of At Dawn We Slept: The Untold Story of Pearl Harbor.) The American and Japanese military also reviewed the script closely for accuracy, and the studio even hired Minoru Genda, the officer in charge of planning under Vice Admiral Churichi Nagumo, as a consultant.

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Referring to the Japanese code name for the operation, the phrase literally means "Tiger Tiger Tiger." A few years later, Reader's Digest published a condensed version of the book under that same title. A translated version of Prange's resulting book was first published in Japan in 1966 under the title Tora Tora Tora. He also obtained access to the original log books on both the American and Japanese sides, enabling him to reconstruct a minute-by-minute account of the Pearl Harbor attack. A former member of General MacArthur's staff in Tokyo, Prange interviewed numerous subjects, including Japanese military officers involved in the attack.

Prange, at that time a military historian at the University of Maryland, bore a formative impact on the script. As Williams and others involved have often quipped, their restaging of the event was more expensive to mount than the original attack itself. This time they recreated the Japanese invasion of Pearl Harbor in painstaking detail, using locations in Hawaii and Japan, vintage aircraft and full-scale replicas of battleships. Zanuck, envisioned the project as a follow-up to The Longest Day (1962), Fox's well-regarded war film depicting the invasion of Normandy. The producer Elmo Williams and the young studio executive Richard Zanuck, son of Fox mogul Darryl F. In this case, it was not much of an exaggeration. "The most spectacular film ever made," read the advertising copy when 20th Century Fox released Tora! Tora! Tora! in August 1970. The Japanese attack results in the devastation of almost all Navy ships and planes based in the Pacific, but Yamamoto regards the holocaust with mixed emotions because of the anticipated American retaliation. Japan instructs Ambassador Kichisaburo Nomura to present Hull with an ultimatum, which the Japanese expect to be refused, in order to make the attack seem retaliatory, but an inept typist in the Japanese Embassy delays the message so that its delivery coincides with the actual bombing. Marshall, who is horseback riding, and President Roosevelt is warned only hours before the bombing is to begin. Chuichi Nagumo has received orders to sail for Hawaii with six aircraft carriers, but the intelligence officer is unable to locate Army Chief of Staff George C. Just before the actual attack, Bratton learns from a decoded message that Japanese Adm.

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Army Intelligence convinces Stimson that a Japanese attack is impending, and Pearl Harbor is placed on full alert on November 30th few preparations are actually made, however, and within a couple of days the base is back to its unprepared state.

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ground forces, is more worried about sabotage than foreign attack and orders all planes to be placed in the middle of the runway in addition, the radar system he has developed is rendered useless since its operators do not know how to interpret the readings. military or diplomatic corps fear imminent attack. Stimson suggest the cooling of diplomatic relations with Japan after the treaty, but few in the U.

In Washington, Secretary of State Cordell Hull and Secretary of War Henry L.

Isoroku Yamamoto, commander of the Japanese Navy, realizes that the center of United States Naval operations at Pearl Harbor must be destroyed if Japanese power is to spread in the Pacific. After Japan signs the Axis Alliance with Germany in 1941, Adm.